Swøpnil Maharjan
An Underground Artist
Not made for the system. Swøpnil Maharjan exists on the outside—where raw energy meets silence. A contrast of aggression and melody, control and chaos. You won’t hear this everywhere. And that’s the point. Outcast. Independent. Unfiltered.

AK GEE X SWØPNIL - PLASTIC KO WRAPPER (Visualizer)
Published on February 11, 2026.
Visualizer for 'PLASTIC KO WRAPPER' by AK GEE & SWØPNIL
Music Videos

SWØPNIL - ADDIDAS (Visualizer)
Published on November 03, 2025.

SWØPNIL - SIDE LAAG (Visualizer)
Published on October 14, 2025.

SWØPNIL - SIDE LAAG (Visualizer)
Published on October 12, 2025.

SWOPNIL - INTRO (Official Video)
Published on September 19, 2025.

Ak Gee & Swopnil - Nashalu (Visualizer)
Published on April 26, 2025.

SWOPNIL - Mero Desh (Lyrics + Visuals)
Published on February 26, 2025.

SWOPNIL - BHAROSA (Official Video)
Published on February 16, 2025.

SWØPNIL - ADDIDAS (Visualizer)
November 03, 2025.

SWØPNIL - SIDE LAAG (Visualizer)
October 14, 2025.

SWØPNIL - SIDE LAAG (Visualizer)
October 12, 2025.

SWOPNIL - INTRO (Official Video)
September 19, 2025.

Ak Gee & Swopnil - Nashalu (Visualizer)
April 26, 2025.

SWOPNIL - Mero Desh (Lyrics + Visuals)
February 26, 2025.

SWOPNIL - BHAROSA (Official Video)
February 16, 2025.
Swøpnil Maharjan
Swøpnil Maharjan is an independent artist from Kathmandu, Nepal, known for his raw, unapologetic approach to music. Starting from hardcore and battle rap, he built a reputation on intensity, presence, and a voice that cuts through noise.
But staying in one lane was never the goal.
Now stepping into a new phase, Swopnil blends aggressive rap energy with melodic, atmospheric sounds—exploring a darker, more introspective space. His sound shifts between deep, husky rap delivery and soft, haunting vocals, creating a contrast that defines his identity.
With projects like Para Pradarshan, the focus isn’t just music—it’s expression, evolution, and building a world that feels real, unfiltered, and independent.
No label. No shortcuts. Just the work.


